"Day 47 in the Big Brother house."

Big Brother is back on the telly tonight. And little brother, Ben - one of my four new housemates - will be, I imagine, quite pissed off that I'm taking that fact as inspiration for this post.

I'm contractually obliged, he said, to write about my new abode on my blog. And perhaps he's right. (I never did read the contract.) But I'm pretty sure he won't be happy that, despite all the good times we've shared, its the return of Channel 4's beleaguered reality TV show that has compelled me to write.

I've made up my mind. And I'm going to run with the analogy.

15 Kingsgate Road, my new house, is not unlike that of the compound at Elmstree Studios, where tonight a dozen fame-seekers will wheel in their suitcases and roll out their desperation.

Here, at Kingsgate Road, there are fewer fame-seekers but no less desperation. If this were reality TV - and it very nearly is, with all this digital equipment - Bill would be playing up to the camera, Adam, playing it down, Nic, the gobby posh one and Ben, a young boy on the verge of manhood.

Think Glyn from series 7.

And me? An agoraphobic, web-cam wielding recluse? I'm the perfect housemate.

Powering down.

I am today simultaneously impressed and disappointed by modern technology.

I'm finally blogging from a coffee shop in Birmingham - here's me, looking a little worse for wear (and like I'm leaning on that guy's arse). But it took me some time to get here.

In what may have been an act of defiance, my phone switched itself off last night, when it's battery died and the whole thing powered down for the first time in ages.

It's like it was saying to me, "hey! Silent's not enough, buddy. I'm powering down."

This led to a series of panic attacks. What if someone needed to get in touch with me? What if someone died? Or, worse still, what if my other communication devices join forces with the phone, form some sort of union and go on strike!

Thinking that I ought to check the former before fearing the latter, I tried to give me mum a ring. But, lo and behold, her number was stored on my phone. My sister's too, and my best friend's.

Don't worry, I thought. I've got backup.

But, when you're standing on a train platform in England's second city, having your phonebook backed up online is really no use.

I needed to get inside and find some wi-fi. This shouldn't be too difficult, right? This is England's second city, after all.

Well, I don't know how they rank these things, but finding wi-fi was pretty difficult. And when I finally did, my MacBook dimmed and whirred, as if to say, "sorry boss, the phone was calling me a 'scab'," and powered down, it's battery dead. It had joined the strike, the aluminium encased bastard!

And so the last hour or so has been spent, scouting Birmingham for a power outlet. Starbucks didn't have one spare, neither did Costa, and security weren't best impressed when I stole power from a Coke machine in the Bullring (though the act itself was rather empowering).

So here I am now, having been thrown out of Europe's biggest shopping centre, sitting in the concourse between it and my train back to London. I'm powered-up and connected; I've Skyped my friends and family, they're all fine. But I'm terrified to check my iPod. If that powers down I've got a two and half hour journey in silence.

What will I do? Read?

Good timing.

I couldn't have timed my return to Shrewsbury any better.

In a strange sort of reverse ethnic cleansing, the beautiful market town I once called home was this weekend left practically empty. Its townsfolk - arguably its least appealing quality - had hit the road to Wembley to support their local team, who in a weird twist of footballing fate were to play in the country's premiere stadium.

The streets were both eerily and delightfully quiet - football fans free to frolic in their fighting someplace else. All but one, I discovered, remained, here at Shrewsbury train station.

"You going to the match?" a lady shouted to another, who stood under the shadow of her hulking, skin head husband. She looked at him.
"Nah," she said.
"Why not?" the other asked. "I didn't think you guys would want to miss it."
"It's, er...him," she said, craning her neck to look up at her man, who had the word 'England' tattooed on the back of his. "He's got a football ban."
With that he bowed his head - partly in shame, I thought. Partly to reveal another tattoo. It was of a dog, burned to his scalp, now forever burned on my memory.

The man had a tattoo of a dog on his head.

Before I had much more time to think about that, my train arrived. I couldn't have timed my return to London any better, I thought. And with that left town.

Underwear still a big drawer

Picturing a crowd in its underwear is the worst possible advice to give someone nervous about addressing a classroom full of school children. Still, it's the advice I received a couple of years ago, right before I spoke at the Priory School in Shrewsbury.

It's also the advice I chose to ignore this afternoon, when I returned to the same school and to the same children - all grown up, their voices and bra straps having broken under the full force of puberty. With their lip gloss and their lethargy they were almost unrecognisable. And surprising in their intellect.

I was there to teach them about business, but - as per the cliché - they ended up teaching me. One girl told me how she'd secured the rights to all the pin boards in the school and that if anybody wanted to hang a poster they'd have to pay her for the privilege.

"It's premium ad space," she said.
"It's a monopoly." said another.

The kids were 14!

At that age I didn't know what was or wasn't 'premium ad space', nor that 'monopoly' was anything other than a board game - and a boring one at that.

I guess I was too busy picturing people in their underwear to care. Not much has changed in that respect.

Great, white and blue

It took me a little while to get into the band, The National. Might be because their name is one word short of The National Front. It's more likely because I didn't have their CD.

But I got Alligator yesterday and it's brilliant. In fact, I've been playing 'Mr November' for almost eight hours straight.

I think it saved my life.

Though lyrics like, "I'm the great white hope/I'm the new blue blood," do little to separate the Indie rockers from that other 'National' group, there's something about lead singer, Matt Berninger's baritone and the energy with which the band pop out the 4-minute wonder that gives me hope.

Even if I'll never be great or white. Or blue even.

The National – mr november

'Sorry' seems to be the hardest word.

I don't know if that's true. I find 'proliferation' very hard to say. 'Sorry' is easy. I say it all time - too much even.

• "Sorry, I thought you said it was fancy dress."
• "I'm not your father, sorry."
• "Sorry, no speaky English."

The last one's a bit of a cop out, to be honest. But it's something I've been doing a lot of recently. (Not 'copping off', mind you. Nothing's changed in that respect.)

But I haven't been posting much and I am sorry.

In a post entitled 'Cop Out', fellow blogger (and one time 'real life' friend) Wanderingjess perfectly captures my feelings of late.

I've just been beat lately, a little emotionally drained and a little too scattered to blog. (sigh)

And now I'm wondering, like Jess (but with an 'o' not an 'a'), do I bring you up to speed with the recent happenings not covered by this blog?

Or, like the first episode in the returning season of an American TV show (which is quite how I see my life), gently reintroduce the themes (social faux pas) and characters (me) that are recurrent in this blog?

This being the Internet - and me being quite lazy - I'm going to opt for the latter.

But please, browse the archives of this site, expect more regular updates and, inevitably, more social faux pas from here on.

Right, I'm off to a fancy dress party...

Roti and respectability

I've just explained this to a friend and she thought it was hilarious. Hopefully you will too. Hopefully some good will come from my evening, before something bad comes from my mouth.

You see, I'm full. Like really full. I'm so full I can't see my feet.

And it's all because I've just been caught in a cycle of roti and respectability, of cauliflower and chapati.

My aunt, who is staying with us this week, has made alloo gobi - a curried combination of potato and cauliflower, which, she tells me, is disrespectful - for some reason - to eat alone. Not with a loved one, of course (this is the land of the arranged marriage, after all).
"You mustn't eat without chapati," she said.

But it's also quite bad, I understand, to eat chapati alone - without the curried combination of something else. So, imagine my difficulty tonight in trying to synchronise my chapati and my cauliflower.

Each time I finished one I was served more of the other.

And so it went until both were finished at exactly the same time. And most of my lower torso had completely vanished beneath my big belly.
"More cauliflower, Sandeep?"
"No thanks, Aunty ji."

Gay pride

"Sunshine makes British people act crazy. Like...nice and everything."

Twitter update 06:03 PM April 05, 2007

It's a Bank Holiday weekend and spring has sprung its sunny self on us, like a hot, unexpected guest at a party. It's like we're so used to bad weather - and ugly people - that we don't know how to act.

White guys everywhere are wasting no time in impressing our new guest by whipping off their shirts and parading their pastiness with puffed-up pride.

Even I've been acting sort of strange. So overwhelmed was I with the morning sun that I sent a group text message, to around thirty people, announcing my good mood, the good weather and the apparent good news that I was, in no way, a homosexual.

"The sun - and the San - is out," it read. Quickly followed by a disclaimer - "Sorry, I'm not 'coming out.' Just wishing you all a good day."

"The lady doth protest too much," read one response. "You are gay," said another.

Well, if 'gay' is being happy and carefree maybe that's what I am. And proud too.

But heterosexual, I will add. And enjoying the sunshine.

In a bohemian sort of way.

I know it's really wrong but I still like Pete Doherty.

The Namesake is super, man

It's no secret that I saw Superman Returns six times last year (and that's not including DVD viewings). I own both Spider-man films, eagerly await the next, and have all but the Joel Schumacher Batman outings.

It's not that I particularly like men in tights, though some may suspect otherwise; or that I have a hero complex, any more than most men.

I suppose I identify with these stories that are, essentially, the stories of immigrants.

Sent from far away places, living with alter-egos, battling with the duality of identity - on the one hand plain and inconspicuous, on the other colourful and foreign - superheroes (powers aside) are your regular, run of the mill, second generation immigrants.

Meera Syal went as far as claiming that Superman himself was Indian in her comedy sketch show, Goodness Gracious Me. NHS glasses, kipper tie..? Where else, she asked, could a man run faster than a train?

It's another Mira (though spelt slightly differently - Mira Nair) that reminds us of this fact. And it's on a train that her new film, The Namesake, begins. It ends the same way and in-between fills its two and a bit hours with, what critic Mark Kermode calls, "issuetastic family drama."

This, from the film's synopsis:

When the the Ganguli family moves from Calcutta to New York, they embark upon a lifelong balancing act to meld into a new world without forgetting the old. Though parents Ashoke and Ashima long for the family and culture that enveloped them in India, they take great pride in the opportunities their sacrifices have afforded their children. Paradoxically, their son Gogol is torn between finding his own unique identity without losing his heritage. Even Gogol's name represents the family's journey into the unknown.

Though I might rather relate to the Super side of Superman, his alter-ego, and that of the unfortunately named Gogol Ganguli, strike a more notable resemblance.

In The Namesake, Gogol's experiences were very much like mine. I cringed watching him bring home a white girl to meet his parents, flinched as she put her hand on his during dinner and squirmed as she planted an awkward kiss on his father's cheek. We just don't do that, my mum says.

I wondered what it must have been like for her, being born in India, coming over to England as a child and raising children of her own - 'neither here nor there'.

I wondered how she must have felt when I, like Gogol, disappeared into the surrogate family of my girlfriend, my work and my country.

Like all second-generation immigrants, I suppose, Superman himself is torn between two cultures - taught to respect his Kryptonian heritage, whilst embracing his undeniable Americanism.

The actor who plays Gogol Ganguli (Kal Pen) was, incidentally, in Superman Returns. It was a non-speaking role... You notice these things when you watch a film several times!

The Namesake was brilliant. I urge you to see it at least once.

• The Namesake [Fox Searchlight]

Window shopping

I've always felt a sort of, I suppose, misguided affinity with the Irish. My dad told me when I was younger of the signs that would hang in shop windows - "no blacks, no dogs, no Irish." And I just imagined that the three would hang outside, on high streets, and peer into the windows of a country that hated them.

Of course, this was never really the case. Being hated is no foundation for a friendship. And the dogs didn't really give a shit.

Nevertheless, when I detected an Irish accent at the hairdressers' this morning I was pleasantly surprised to discover that it belonged to my new stylist. There aren't many Irish people in Shropshire. In fact, I know one other, and I think she puts it on anyway.

But this was the real thing. And, as we chatted, I thought to myself - if only there were a dog and a country that hated us the picture would be complete. I was quickly glad that there were neither.

Like a tree.

There was a television advert for a bank or an insurance company - I don't remember which exactly - but I'm pretty sure it was for an organisation for whom the level of emotion was completely inappropriate.

It featured a montage of faces, each dreamily looking upwards, sharing the wishes that were somehow facilitated by said organisation.

"I want to be a gymnast,"
"I want to be teacher,"
"I want to be a sex pest," and so on.
And, the closing thought, "I want to be a tree."

The latter was my mum's favourite. She likes trees - she couldn't quite see how banking or taking out insurance would allow her to become one. But the thought became something of a catch phrase for her. "I want to be a tree," she often said, dreamily looking upwards, fantasising of a life more peaceful and serene.

Well, that dream has slowly been hacked away at for several years. And last night it came crashing to the ground, when my dad committed axe to trunk and bought the whole fucking tree down.

Concerned that it was growing out of control, dad was determined to assert his, and fell the tree that loomed over a main road in our front garden.

Obviously, there are precautions that need to be taken when dealing with a felling so close to a busy road. For my dad these precautions, and the costs involved in taking them, were to be - at all times - avoided.

The tree, he decided, would be felled by himself, his shopkeeper friend, a chainsaw, and a bit of rope. And in the hope that the twenty-foot beech tree would fall this way and not that - onto the road and to the injury or death of its innocent users.

But, while still shedding the tree of its branches, onlookers must have observed this potential tragedy and complained; for when the police arrived the men dropped their chainsaws and their plans.

But not for good.

Determined to fell this tree, without any financial cost to himself, and undeterred by the warnings of the police (and soon after the local council and two tree surgeons), my dad decided that he would return to the tree, under the cloak of darkness. And, if his shopkeeper friend wouldn't join him, he'd get his best man on the job.

81-year-old war veteran, John would trade his walking stick for a chainsaw and fell the tree in exchange for fire wood, such was his quality of life. He lived alone, in the bad end of town, and would use the wood to heat his abode through to the summer, if he'd make it.

To my dad being compassionate and frugal were two mutually exclusive things. You couldn't be one and the other. Saving money, he thought, was a cruel thing. And so he watched as the old man boarded a step ladder and began to saw at the wood.

But before they were done, the local council returned. The tree, they suggested, may not be ours after all. My dad may be fined, the old man deprived of his fire wood and my mum, whose dreams had been dashed, sawed and partially felled, proven right, after all.

Being cheap and wise, she'd always insisted, were mutually exclusive. In trying to save money my dad had incurred additional costs. And had he learned his lesson?

"I think I'll get John to make a start on the tree in the back garden," he said over dinner the following night.
"Why don't you just do it the right way," my mum said. "For once."
With that she got down from the table and stood her ground, strong and firm. And not at all unlike a tree.

Coloured people.

You wanna live like coloured people?

People. Pets. Places.

We grieve over people and pets but also over places. And while they never die, as such, our relationships with them can change, remain desperately the same or end altogether. In that sense, the towns and cities in which we spend our childhoods, teens and adult lives, are like the relationships we have with people and, to some extent, with pets. They do, after all, get run over by cars; they are loved and are lost.

The places where I've lived, I suppose, are like the girls I've loved. I've played kiss chase in the town of my infancy, got hot and heavy in the suburbs of my teens, and played the field in the the travels of my twenties.

Now that I'm moving to London - the big smoke - I wonder where the analogy will take me. A fat girl with a cigar? I certainly hope not. But, in the meantime, I'm revisiting an old love, having moved out of my flat and in with my parents.

If the travels of my twenties were like playing the field, moving back with my parents is like being castrated. Long gone is the freedom and the flirtatiousness of my young adult life. It's back to curfews and cooked dinners.

But I can't complain. The food is really very nice and there's no where to go out anyway. It's given me time to think. And yesterday I took our dog for a walk down memory lane. Well, actually Mill Farm Drive, the street where my parents live.

I found that either the houses have shrunk or I've grown. I'd walked the streets as a teenager but, for the first time, could see over its fences, and into the gardens and trampolines of its backyards. I saw not the past but what could be my future.

Young families, new money, old people - in relationships with their places more stable, more kind.

I wondered, when the fat lady in London sings, and my twenties become my thirties and those my forties (as the sequence goes) if I would find myself, on a street like this with a life more ordinary.

Marriages, mortgages, divorces, down payments.... Our relationships with people and places are complicated things! I'll stick to having pets, I thought.

That was until I had to use the poop-a-scoop in my hand. If there's one thing that's true about all relationships: shit happens. You love, you lose and, occasionally, you pick up the shit and move on.

The writing's on the wall.

Removing Dawson's Creek from my list of favourite TV shows on social networking site, Facebook, had the exact opposite effect yesterday, when its 'news feed' announced the move to my entire network of friends.

"'San Sharma removed Dawson's Creek from his favourite TV shows'?" Bill wrote on my wall. "...you big gay."

• Facebook

Gutterball

To quote Larry David, "I like bowling." But I can relate, almost too readily, to his many, many complaints:

"You can't find a ball, that's the problem. I don't know, maybe you own a bowling ball; I don't own a bowling ball. My whole life, every time I'm at a bowling alley, sticking my fingers in all these holes, picking up balls...

You gotta get your own ball. I don't bowl enough, I think, to get my own ball; it takes up a lot of space in the house. You'll end up looking at it in the closet going, "What am I doing with a bowling ball? I don't even bowl!"...You know what I mean?

...Say you want to get rid of the ball. How do you get rid of a bowling ball? Think about that. Who do you give a bowling ball to? Nobody bowls. Their fingers -- it only fits your fingers. You throw a bowling ball in the garbage can, you know what that sanitation man's gonna do? He's gonna knock on your door; that's how upset he's going to be. He's gonna say, "Who the f*** threw a bowling ball in the garbage can?"

Curb Your Enthusiasm
Season 4, Episode 31 ("Mel's Offer")

Lately, I've been sticking my fingers in a lot of holes. Not enough, mind you, to buy my own ball, but just enough to become friendly with the alley staff. You might think that Ed was the manager. He certainly rolls around the place like he is. You may even mistake him as being a bowling ball. He is, after all, big and round, and with just as many holes.

Tonight however, if only momentarily, I reserved my judgement, kept my fingers to myself and decided that Ed, while cocky and mildly irritating, was actually a nice guy.
"Listen, when you're, er, finished let me know," he said, as I slipped and laced my way into something less comfortable. "I'll, er, see if I can try and sort you out with another game." With that he winked.
Brilliant, I thought - free game. What a nice guy?

So, when we were finished I headed over to the reception to let him know.
"So Ed," I said, slyly slipping over to his counter. "We're, er, finished...I wondered if you could, er, sort us out with another game?"
"Ah, I see..." He smiled and pointlessly looked over his shoulder, at a wall. "I can't see why that would be a problem."
"Brilliant. Ed, you're the man, you know that?"
Apparently he did, because he didn't acknowledge the question. He just furrowed his brow and banged away at his keyboard. "You're on lane six, right?"
"Yeah."
"Right," he hit the enter key as if he'd just written a novel and was punctuating its final sentence by giving his keyboard a good whack. "Okay...that's going to be £10.50."
My face burned red, or that sort of maroon colour Indian people go when embarrassed. I couldn't believe that I'd misjudged his intentions.
What was the wink? I thought. And why would he try and sort us out with another game? Isn't that his job? Isn't that what he does all day? What's there to 'sort out'? Payment?

In any case, I was standing there, going maroon; so presumptuous as to not even bring my wallet with me, and very aware that I hadn't responded to Ed for the duration of my thought process.
"Yeah, of course," I managed. "I'll, er, go and get my wallet." And with that rolled slowly, back to my lane, to fetch my wallet and my self-respect, and to lose at a game I didn't really want to play.

Cosplay

The gospel according to The Hold Steady

Craig Finn took to the stage last night like the speaker at a school assembly. The crowd was small and well behaved, many smartly-dressed, few actually paying attention.

Chubby, bearded and sweating profusely, Finn's appearance reminded me of an old school teacher, whose assemblies were almost always about global tragedies and usually infused with a typical mix of guilt and religion that, on one occasion, made one boy vomit and all of us - always - feel terrible.

When Craig Finn sang however it was clear he bore the mantle of preacher, not teacher. His stories were of local tragedy, of New York City and Minneapolis, of heartbreak and drinking. They made us feel good. And while one or two of us may have been sick, we were drunk with more love than religion could muster.

In 2000, guitarist Tad Kubler, drummer Judd Counsell and bassist Galen Polivka joined Finn and started a rock and roll band. But last night, on stage, they were his disciples. And four hundred or so people in Birmingham heard the gospel according to The Hold Steady.

Playing mostly from their third album, Boys and Girls in America, Finn smiled and sang and swung his arms, grabbed us by our collars, and whispered in our ears, the secrets of his friends, the stories of his youth.

And when he was done - sweating more so, drunk and tearful - he thanked us, he thanked the band, he said we were one and the same. "You are The Hold Steady," he said. And never before have I felt a deep sense of belonging to a room full of strangers. He walked into the crowd and to open arms and embraces, still singing, "I've had kisses that make Judas seem sincere."

And, just as soon as we planted one on his cheek, he turned the other and it was all over - ears ringing, amps buzzing and lights up on a room full of friends.

• The Hold Steady

Le Moonwalker

Ooh la la! Check out my photos from Paris on the link below.

• Paris is for Lovers [via my Flickr photo stream]

Agnostic for chemistry

"I've decided I'm agnostic," Pete said. "Not atheist."
"What's the difference?"
"It means that the only thing I can be sure of is that there may or may not be a God. But that I can't prove it, so won't worry about it."
"That's exactly how I feel about chemistry."