Wednesday, April 09, 2008

Old clothes, new gags at 'Dude Patrol'

I didn't have an excuse. But believe me, I wracked my brains. I wanted nothing less than to go to an interactive comedy night, an hour and a half away in Stoke Newington. But I'm dating again and have fallen into a routine of taking turns to "host". 'Captain Dude and the Dude Patrol', at Ryan's Bar on the Stoke Newington High Street, fell on her day ('her' henceforth referred to as 'my Brooky Wook').


Accepting Brooky Wook's invitation, I thought, might make my turn - inviting her to my ex-girlfriend's house for dinner - a little easier (on me, I imagine, not so much on her). So I said, 'yes,' and rode that Overground, somewhat reluctantly, to the scary, north-east corner of zone 2.


Call me an old curmudgeon, but the idea of painting, of making things, dressing up in old, jumble-sale clothes and competing for prizes, all of which was promised by its Facebook event description, made me want to stay home, wash my hair, catch up on my junk mail correspondence - anything to avoid the kind of interaction with strangers that sounded about as fun as being mugged.


I saw a guy at a comedy night, right here in West Hampstead, whose entire set consisted of a conversation with an audience member, about as engaging as being collared by a high street charity collector. By the end of it, he looked about ready to hand over his Direct Debit details, just so that he could go on with his life.


"The comedy's not amazing," Brooky Wook said, as we took our seats. "But the atmosphere's great." The atmosphere was pretty tense, from where I was sitting. I was terrified of being picked by the compère, Tom Bell, whose sprightly androgyny reminded me of a theme park animal trainer, who once plucked me from a crowd of otherwise happy holiday makers to perform with what wasn't the real Lassie but what looked good enough to pass.


I was 10 years old, and arrived with my family just before show time, managing to squeeze onto the front row of the 'Animal Actors on Location' attraction at Universal Studios Florida. I was aware that because of my proximity to the stage and the ease with which I could get there and back with minimum interruption to the crowd, I had the highest chance of being picked by the animal trainer. I was as terrified of him as I was of the dog, so I did my best to catch neither pair of eyes. But I guess they both smelled my fear and, before I knew it, I was on the stage, shaking Lassie's paw to my obvious embarrassment. (Why can't dogs smell that?)


But here, in the basement of Ryan's Bar, the front row was the only row. I took it with a big swig of my drink and finally relaxed into my seat. If Universal Studios wasn't such a 'dry' theme park, I might have had a better experience. But last night, at 'Captain Dude and the Dude Patrol', I had a surprisingly good time.


Bell made for an excellent compère, as comfortable on stage as he was in the massive "sleeping bag-come-coat" he picked out for himself from the jumble-sale. His comedy partner, Ed Weeks, was late, but no less funny. His punishment from Bell was the accusation of racism, eliciting a chorus of boos from the crowd, triggered by a hand signal designed by Bell in Weeks' absence.


Pippa Evans put in a good turn, acting alongside Bell in episode two of 'Plaice Invaders', the completely improvised soap opera set in a fish & chip shop in space. All of this, set to a soundtrack of the worst charity shop vinyl Bell could find and all the laughter we, in our crowd of 15, could muster.


"If you like finding furniture on the street," the Facebook event description went on, "you'll love Dude Patrol." I do and I did. But unlike stumbling across a broken wicker chair or a discarded coffee table, there was nothing wooden about these dudes. It's a comedy night worth checking out, if you live in the area. I might just make that one and and a half hour journey back out there, next month.

Tuesday, April 08, 2008

Facebook Chat: A poke too far?

My sister, Suman, is late to the party that is social networking. At 29, she graduated before Facebook became the big man on campus it is today and left high school while MySpace was still a twinkle in Tom Anderson's eye.

In the last month, she's joined both networks, muddled them up in her head and failed in her attempts to stay relevant by referring to each as MyFace. (I had to stop her from inviting friends to meet there. It was a conversation I never wanted to have with my sister.)

Just as Suman's getting to know Facebook (and her friends in a more intimate way than she imagined), I'm trying to distance myself from the social network that's costing UK business over £130m a day and 233 million hours of 'lost time' every month.

I'll be running for the hills when it rolls out its new instant messaging feature in the next couple of weeks. It's hitting some networks and the reviews are pretty good, but Facebook's already given me a second inbox to battle, not to mention another Wall to climb, and I'm terrified that I'll never keep up with friends, nor will I want to know that they're getting a sandwich, packing for their holidays or being surprised at the result of a football match, reality TV show or STD test.

It's hard enough trying to sneak onto Facebook without someone noticing that you haven't replied to their message ("oh, I haven't checked," doesn't really work). Now its new chat features promise to bring back into fashion a certain keyboard shortcut dance I used to perform when avoiding friends on instant messengers. (If I log on and then off immediately, you'll know what just happened...)

It's not too late for my sister, Suman - she's not yet hooked. However, by making Facebook a more real time experience, its developers are hoping session length will go through the roof. But it might just be the poke that pushes users, like me, over the edge.

Monday, April 07, 2008

The Bitch Is Back


I entertain by picking brains
Sell my soul by dropping names
I don't like those, my god, what's that?
Oh, it's full of nasty habits when the bitch gets back


'The Bitch Is Back', Elton John




I'm back on the blogosphere, guys, riding it all the way to your web browser, like an excited child on a space hopper. And what better way to return - out of breath - than with an Elton John lyric. (That should put to bed those 'gay' rumours.) Expect more brain-picking, name-dropping, gender-bending nastiness soon.


 


If, like Elton John suggests, there are bad habits, one might be going AWOL. I do apologise for that. And now that I'm back from my little sabbatical, let me explain.


I've been going through a period of change. Yes readers, puberty has hit me like a tonne of hairy bricks. Not only that, but after three years of working as Creative Director of Redbrick Enterprises Ltd., and on it's flagship product, Enterprise Nation, I've left to go freelance. The decision came about after a series of escalating threats led to my departure.


"Right," I said. "I'm going to leave!"
"Leave then," said managing director, Emma Jones.
"Okay, I'm leaving."
"Go!"
"I'm going." This went on for some time.
"On the count of three," I think I might have said. "1... 2... 2 and a half... 2 and three quarters..." Until, all of a sudden, I'd gone!


I'm still doing some work for Enterprise Nation - and everything's fine! - but I'm designing, writing and presenting for other companies too. You should expect this blog to change somewhat as well. Its focus is going to shift to pop culture, technology and business. But don't be surprised to find sprinklings of the old personal stuff. Inappropriate stuff, if anything.


Old habits, as they say, die hard. Nasty habits reincarnate.


So, welcome back to my blog, if you've been here before. If it's your first time, subscribe to my RSS feed, so you don't miss my updates, which I'm going to try and make more often. In the meantime, enjoy this video from the original "bitch". It's Elton John, with a pole-dancing Pamela Anderson, and a performance that I think really captures the essence of this blog: the roaring crowd, the sex appeal, the fat guy at the keyboard...


The Bitch Is Back, Elton John