In a bohemian sort of way.

I know it's really wrong but I still like Pete Doherty.

The Namesake is super, man

It's no secret that I saw Superman Returns six times last year (and that's not including DVD viewings). I own both Spider-man films, eagerly await the next, and have all but the Joel Schumacher Batman outings.

It's not that I particularly like men in tights, though some may suspect otherwise; or that I have a hero complex, any more than most men.

I suppose I identify with these stories that are, essentially, the stories of immigrants.

Sent from far away places, living with alter-egos, battling with the duality of identity - on the one hand plain and inconspicuous, on the other colourful and foreign - superheroes (powers aside) are your regular, run of the mill, second generation immigrants.

Meera Syal went as far as claiming that Superman himself was Indian in her comedy sketch show, Goodness Gracious Me. NHS glasses, kipper tie..? Where else, she asked, could a man run faster than a train?

It's another Mira (though spelt slightly differently - Mira Nair) that reminds us of this fact. And it's on a train that her new film, The Namesake, begins. It ends the same way and in-between fills its two and a bit hours with, what critic Mark Kermode calls, "issuetastic family drama."

This, from the film's synopsis:

When the the Ganguli family moves from Calcutta to New York, they embark upon a lifelong balancing act to meld into a new world without forgetting the old. Though parents Ashoke and Ashima long for the family and culture that enveloped them in India, they take great pride in the opportunities their sacrifices have afforded their children. Paradoxically, their son Gogol is torn between finding his own unique identity without losing his heritage. Even Gogol's name represents the family's journey into the unknown.

Though I might rather relate to the Super side of Superman, his alter-ego, and that of the unfortunately named Gogol Ganguli, strike a more notable resemblance.

In The Namesake, Gogol's experiences were very much like mine. I cringed watching him bring home a white girl to meet his parents, flinched as she put her hand on his during dinner and squirmed as she planted an awkward kiss on his father's cheek. We just don't do that, my mum says.

I wondered what it must have been like for her, being born in India, coming over to England as a child and raising children of her own - 'neither here nor there'.

I wondered how she must have felt when I, like Gogol, disappeared into the surrogate family of my girlfriend, my work and my country.

Like all second-generation immigrants, I suppose, Superman himself is torn between two cultures - taught to respect his Kryptonian heritage, whilst embracing his undeniable Americanism.

The actor who plays Gogol Ganguli (Kal Pen) was, incidentally, in Superman Returns. It was a non-speaking role... You notice these things when you watch a film several times!

The Namesake was brilliant. I urge you to see it at least once.

• The Namesake [Fox Searchlight]

Window shopping

I've always felt a sort of, I suppose, misguided affinity with the Irish. My dad told me when I was younger of the signs that would hang in shop windows - "no blacks, no dogs, no Irish." And I just imagined that the three would hang outside, on high streets, and peer into the windows of a country that hated them.

Of course, this was never really the case. Being hated is no foundation for a friendship. And the dogs didn't really give a shit.

Nevertheless, when I detected an Irish accent at the hairdressers' this morning I was pleasantly surprised to discover that it belonged to my new stylist. There aren't many Irish people in Shropshire. In fact, I know one other, and I think she puts it on anyway.

But this was the real thing. And, as we chatted, I thought to myself - if only there were a dog and a country that hated us the picture would be complete. I was quickly glad that there were neither.

Like a tree.

There was a television advert for a bank or an insurance company - I don't remember which exactly - but I'm pretty sure it was for an organisation for whom the level of emotion was completely inappropriate.

It featured a montage of faces, each dreamily looking upwards, sharing the wishes that were somehow facilitated by said organisation.

"I want to be a gymnast,"
"I want to be teacher,"
"I want to be a sex pest," and so on.
And, the closing thought, "I want to be a tree."

The latter was my mum's favourite. She likes trees - she couldn't quite see how banking or taking out insurance would allow her to become one. But the thought became something of a catch phrase for her. "I want to be a tree," she often said, dreamily looking upwards, fantasising of a life more peaceful and serene.

Well, that dream has slowly been hacked away at for several years. And last night it came crashing to the ground, when my dad committed axe to trunk and bought the whole fucking tree down.

Concerned that it was growing out of control, dad was determined to assert his, and fell the tree that loomed over a main road in our front garden.

Obviously, there are precautions that need to be taken when dealing with a felling so close to a busy road. For my dad these precautions, and the costs involved in taking them, were to be - at all times - avoided.

The tree, he decided, would be felled by himself, his shopkeeper friend, a chainsaw, and a bit of rope. And in the hope that the twenty-foot beech tree would fall this way and not that - onto the road and to the injury or death of its innocent users.

But, while still shedding the tree of its branches, onlookers must have observed this potential tragedy and complained; for when the police arrived the men dropped their chainsaws and their plans.

But not for good.

Determined to fell this tree, without any financial cost to himself, and undeterred by the warnings of the police (and soon after the local council and two tree surgeons), my dad decided that he would return to the tree, under the cloak of darkness. And, if his shopkeeper friend wouldn't join him, he'd get his best man on the job.

81-year-old war veteran, John would trade his walking stick for a chainsaw and fell the tree in exchange for fire wood, such was his quality of life. He lived alone, in the bad end of town, and would use the wood to heat his abode through to the summer, if he'd make it.

To my dad being compassionate and frugal were two mutually exclusive things. You couldn't be one and the other. Saving money, he thought, was a cruel thing. And so he watched as the old man boarded a step ladder and began to saw at the wood.

But before they were done, the local council returned. The tree, they suggested, may not be ours after all. My dad may be fined, the old man deprived of his fire wood and my mum, whose dreams had been dashed, sawed and partially felled, proven right, after all.

Being cheap and wise, she'd always insisted, were mutually exclusive. In trying to save money my dad had incurred additional costs. And had he learned his lesson?

"I think I'll get John to make a start on the tree in the back garden," he said over dinner the following night.
"Why don't you just do it the right way," my mum said. "For once."
With that she got down from the table and stood her ground, strong and firm. And not at all unlike a tree.

Coloured people.

You wanna live like coloured people?

People. Pets. Places.

We grieve over people and pets but also over places. And while they never die, as such, our relationships with them can change, remain desperately the same or end altogether. In that sense, the towns and cities in which we spend our childhoods, teens and adult lives, are like the relationships we have with people and, to some extent, with pets. They do, after all, get run over by cars; they are loved and are lost.

The places where I've lived, I suppose, are like the girls I've loved. I've played kiss chase in the town of my infancy, got hot and heavy in the suburbs of my teens, and played the field in the the travels of my twenties.

Now that I'm moving to London - the big smoke - I wonder where the analogy will take me. A fat girl with a cigar? I certainly hope not. But, in the meantime, I'm revisiting an old love, having moved out of my flat and in with my parents.

If the travels of my twenties were like playing the field, moving back with my parents is like being castrated. Long gone is the freedom and the flirtatiousness of my young adult life. It's back to curfews and cooked dinners.

But I can't complain. The food is really very nice and there's no where to go out anyway. It's given me time to think. And yesterday I took our dog for a walk down memory lane. Well, actually Mill Farm Drive, the street where my parents live.

I found that either the houses have shrunk or I've grown. I'd walked the streets as a teenager but, for the first time, could see over its fences, and into the gardens and trampolines of its backyards. I saw not the past but what could be my future.

Young families, new money, old people - in relationships with their places more stable, more kind.

I wondered, when the fat lady in London sings, and my twenties become my thirties and those my forties (as the sequence goes) if I would find myself, on a street like this with a life more ordinary.

Marriages, mortgages, divorces, down payments.... Our relationships with people and places are complicated things! I'll stick to having pets, I thought.

That was until I had to use the poop-a-scoop in my hand. If there's one thing that's true about all relationships: shit happens. You love, you lose and, occasionally, you pick up the shit and move on.

The writing's on the wall.

Removing Dawson's Creek from my list of favourite TV shows on social networking site, Facebook, had the exact opposite effect yesterday, when its 'news feed' announced the move to my entire network of friends.

"'San Sharma removed Dawson's Creek from his favourite TV shows'?" Bill wrote on my wall. "...you big gay."

• Facebook

Gutterball

To quote Larry David, "I like bowling." But I can relate, almost too readily, to his many, many complaints:

"You can't find a ball, that's the problem. I don't know, maybe you own a bowling ball; I don't own a bowling ball. My whole life, every time I'm at a bowling alley, sticking my fingers in all these holes, picking up balls...

You gotta get your own ball. I don't bowl enough, I think, to get my own ball; it takes up a lot of space in the house. You'll end up looking at it in the closet going, "What am I doing with a bowling ball? I don't even bowl!"...You know what I mean?

...Say you want to get rid of the ball. How do you get rid of a bowling ball? Think about that. Who do you give a bowling ball to? Nobody bowls. Their fingers -- it only fits your fingers. You throw a bowling ball in the garbage can, you know what that sanitation man's gonna do? He's gonna knock on your door; that's how upset he's going to be. He's gonna say, "Who the f*** threw a bowling ball in the garbage can?"

Curb Your Enthusiasm
Season 4, Episode 31 ("Mel's Offer")

Lately, I've been sticking my fingers in a lot of holes. Not enough, mind you, to buy my own ball, but just enough to become friendly with the alley staff. You might think that Ed was the manager. He certainly rolls around the place like he is. You may even mistake him as being a bowling ball. He is, after all, big and round, and with just as many holes.

Tonight however, if only momentarily, I reserved my judgement, kept my fingers to myself and decided that Ed, while cocky and mildly irritating, was actually a nice guy.
"Listen, when you're, er, finished let me know," he said, as I slipped and laced my way into something less comfortable. "I'll, er, see if I can try and sort you out with another game." With that he winked.
Brilliant, I thought - free game. What a nice guy?

So, when we were finished I headed over to the reception to let him know.
"So Ed," I said, slyly slipping over to his counter. "We're, er, finished...I wondered if you could, er, sort us out with another game?"
"Ah, I see..." He smiled and pointlessly looked over his shoulder, at a wall. "I can't see why that would be a problem."
"Brilliant. Ed, you're the man, you know that?"
Apparently he did, because he didn't acknowledge the question. He just furrowed his brow and banged away at his keyboard. "You're on lane six, right?"
"Yeah."
"Right," he hit the enter key as if he'd just written a novel and was punctuating its final sentence by giving his keyboard a good whack. "Okay...that's going to be £10.50."
My face burned red, or that sort of maroon colour Indian people go when embarrassed. I couldn't believe that I'd misjudged his intentions.
What was the wink? I thought. And why would he try and sort us out with another game? Isn't that his job? Isn't that what he does all day? What's there to 'sort out'? Payment?

In any case, I was standing there, going maroon; so presumptuous as to not even bring my wallet with me, and very aware that I hadn't responded to Ed for the duration of my thought process.
"Yeah, of course," I managed. "I'll, er, go and get my wallet." And with that rolled slowly, back to my lane, to fetch my wallet and my self-respect, and to lose at a game I didn't really want to play.

Cosplay

The gospel according to The Hold Steady

Craig Finn took to the stage last night like the speaker at a school assembly. The crowd was small and well behaved, many smartly-dressed, few actually paying attention.

Chubby, bearded and sweating profusely, Finn's appearance reminded me of an old school teacher, whose assemblies were almost always about global tragedies and usually infused with a typical mix of guilt and religion that, on one occasion, made one boy vomit and all of us - always - feel terrible.

When Craig Finn sang however it was clear he bore the mantle of preacher, not teacher. His stories were of local tragedy, of New York City and Minneapolis, of heartbreak and drinking. They made us feel good. And while one or two of us may have been sick, we were drunk with more love than religion could muster.

In 2000, guitarist Tad Kubler, drummer Judd Counsell and bassist Galen Polivka joined Finn and started a rock and roll band. But last night, on stage, they were his disciples. And four hundred or so people in Birmingham heard the gospel according to The Hold Steady.

Playing mostly from their third album, Boys and Girls in America, Finn smiled and sang and swung his arms, grabbed us by our collars, and whispered in our ears, the secrets of his friends, the stories of his youth.

And when he was done - sweating more so, drunk and tearful - he thanked us, he thanked the band, he said we were one and the same. "You are The Hold Steady," he said. And never before have I felt a deep sense of belonging to a room full of strangers. He walked into the crowd and to open arms and embraces, still singing, "I've had kisses that make Judas seem sincere."

And, just as soon as we planted one on his cheek, he turned the other and it was all over - ears ringing, amps buzzing and lights up on a room full of friends.

• The Hold Steady

Le Moonwalker

Ooh la la! Check out my photos from Paris on the link below.

• Paris is for Lovers [via my Flickr photo stream]

Agnostic for chemistry

"I've decided I'm agnostic," Pete said. "Not atheist."
"What's the difference?"
"It means that the only thing I can be sure of is that there may or may not be a God. But that I can't prove it, so won't worry about it."
"That's exactly how I feel about chemistry."

"1 adult, 1 child, please."

There is something of an image problem with the new Kate Winslet's film, I realised last night, when the attractive, box-office clerk asked me what I'd like to watch.
"Little Children," I replied.

• Little Children (2006) [via IMDb]

My poor, unsuspecting Valentine.

I convinced myself that this year's lack of Valentine's Day cards was due to my recent change of address. Not that in previous years I've had much trouble wading through the post.

I'm usually the one sending them out - channelling the creative powers of an entire cottage industry, crafting a card with a year's worth of consideration, and carelessly spending a crazy amount of money on a gift as romantic as it is wrong.

An ex-girlfriend suffered the brunt of my love some years ago, when one such romantic gesture marked the beginning of the end for our relationship.

Not content buying roses, chocolates or - rather surprisingly - slutty underwear, I got wood. And not in the way you might expect on Valentine's Day. I actually bought two trees in "Lover's Wood", Scotland - planted to "symbolise our love", not intended to scare the crap out of my Valentine. Needless to say, it was the last we spent together.

And so this year I thought I would spare womankind my kindness - less through choice, I suppose, than circumstance - and enjoy a vomit-less Valentine's without the crafts, the cards, the crazy gifts.

There could be no less romantic excursion on Valentine's weekend, I thought, than a city break with my mum and my sister. Unless of course the city is Paris.

And that's where I found myself last weekend. In the exquisite opera district, and a hotel room that sleeps three, where the question, "voulez vous couchez avec moi?" decides who gets the single bed and who shares the double.

It was the Valentine's I'd wished for - unromantic, though no less wrong; spent with two women, albeit members of my immediate family; and cheaper - I don't doubt - than two trees in Lover's Wood or whatever gratuitous gift I would have given my poor, unsuspecting Valentine.

Movin' Out.

I'm leaving this place in the morning.

• My videos

And this is what happens when you read the Daily Mail.

In the wake of the Big Brother racism row, distressed viewers are returning to a sense of normality and to discussing topics more typical of a reality TV show.

For the past week however the most distressed of viewers have been on the receiving end of the following arguments, surprised by the opinions of colleagues and co-workers, alarmed by their naiveté.

I do hope that these do not represent the views of most British people, but these are some of the arguments I actually heard last week.

• "I'm sick of white people being sidelined."
  Yeah, I suppose Black History Month is a bit much, isn't it? Really cuts into White History Year.
• "It's political correctness gone mad."
  I'm sorry, do you long for the time when we could tell one another to "f*** off back home"?
• "Oh, but it's okay for Jermaine to call Jackie 'white trash'?"
  No, Jermaine is not granted some sort of immunity from being racist on account of his being black. What he actually said was, "...they brought up the word 'white trash', and I don't want to bring that up. I wouldn't call her that, because she's a human being..."
• "But Jade can't be racist. She's mixed race."
  There's nothing in Jade's genetic make-up that excludes her from being racist. After all, I'm 100% me, and I hate myself a little bit.
• "I'm sick of people playing the race card."
  FYI: we don't like to, us darkies. If we gave you one you'd realise it's not that good a thing to have.

Death of a celebrity

In the eastern Indian city of Patna protesters are burning an effigy that is said to resemble the organisers of Channel 4's reality TV show, Celebrity Big Brother. It looks very much to me like a standard, two plank wooden frame, cloaked in a burning white salwar kameez. Now, I've met John de Mol, co-founder of Endemol, the production company behind the Big Brother franchise, and he is definitely a jeans/sports jacket kind of guy.

Some four thousand miles west and Patna's favourite Bollywood actress, Shilpa Shetty, sits under the surveillance of de Mol's creation - the Big Brother house - caught by the lens of 36 surveillance cameras and the attention of the world's media.

Shetty, 31, is the unwitting subject of a racism row. Her treatment by fellow housemates has generated a record 30,000 viewer complaints and has sparked a national debate on bullying, class and race.

Whether you think her tormentors are racist or not, Shetty has been on the receiving end of some sort of sinister bigotry. And its origins, whether in cultural ignorance, jealousy or arrogance, is a story that needs to be talked about: it is the story of racism in this country.

The name calling, the back stabbing, the bitching, is not unusual in a television show of this nature. But it has become a vehicle for an issue that is as uncomfortable to discuss as the show is to watch.

Does Big Brother reflect society? And if so, are we a racist nation?

Shetty's biggest opponent in the Big Brother house is former contestant Jade Goody, who left series three in 2002, nominated by the public, denounced by the British tabloid press and met with a crowd of booing protesters. Since, she has returned to television, relauched her career and amassed a not inconsiderable fortune.

It's interesting, as a subplot to this series of Big Brother, that we may be witnessing a turning of the tide against the post-Heat notion of celebrity; that we are fed up with what is being celebrated; that it is no longer intelligence, artistry and achievement.

It is predicted that Jade will be the next contestant to leave the Big Brother house. When she does I suspect she will be met with another booing crowd, and that we may see another burning effigy.

Apple: "We need to talk."

Probably the best thing I've ever seen.

• Apple iPhone

This Life +10: Snap, crackle, flop.

I skipped out of the Maidstone Community Centre New Year's Eve party before midnight this year (God knows why) and missed out on all the fireworks. Luckily for me, and viewers of 'This Life +10', there were a few bags of explosives on last night's telly. And a reminder that, amongst 'Celebrity This' and 'Reality That', there is still some British TV worth staying in for, even if it's a one-off Christmas special - and I use the word 'special' quite liberally.

'This Life +10' caught up with Miles, Anna, Milly, Egg and Warren of the original BBC drama, which ended in 1997 with a bang (actually, more of a wallop) after 32 episodes and a lot of shagging, swearing and snorting. Last night's reunion however ended on a much quieter note. There were fireworks, sure, but they were lit carefully, as if according to health and safety procedures: proof that people - like old fireworks - get duller with age.

Egg is somehow a literary sensation; Milly a mum; Warren is into life coaching; and Miles is a mega-rich hotels entrepreneur, hosting the former lawyers at his huge country pile. Anna still practices, and is the only character not completely mutated by time. She's still got attitude, balls (not literally) and those great legs. She didn't however have the best line. That honour went to Warren ( "Well really, I mean, arguing about the war...is so last season"). What she did have was a baby complex and exactly what was wrong with 'This Life +10'.

The original series was the twenties we had or wished we'd had (I'm still wondering if mine will come, as I struggle to stay awake at 9:30pm). They shagged, they swore, they swayed to...Suede. They were of their time. And now, while they don't swear any less, they discuss babies and bankruptcy and what exactly a "Kaiser Chief" is. And I wonder if it might have been best if they'd just stayed away and, like Suede and...shagging (I remember that), remained warm in the memory.

'This Life +10' arrived on our screens between two bastions of reality TV: 'I'm a Celebrity Get Me Out of Here' and 'Celebrity Big Brother', where fireworks mark the entrance and exit of its c-list contestants. Last night however, 'This Life +10' snapped, it crackled, but it flopped. I only hope that this so-called special, like the lingering smoke of a disappointing backyard firework display, doesn't cloud the memory of a groundbreaking show.

Happy New Year and that.

I figured I'd be excused for my lack of Christmas spirit this year on account of my Hinduism, which - as you know - seems to come and go. In any case, I apologise for a quiet couple of weeks. And, while I'm late in wishing you a Merry Christmas, Hinduism is really no excuse (even if the calendar itself is Judo-centric) - and so I wish you all a very Happy New Year and all the best for 2007.